奖项

“Highs were played with crystal clear clarity and the mids provided a warm, rich sound which is especially good for vocals and instrumentals. For my testing, I spent most of my time with a Samsung Galaxy Note 4 connected to the Audioengine B2 using B…

原文链接

“It’s ideal to have the receiver within 25 feet or so of the sound source, with fewer walls and doors involved, but the B1 showed strong performance beyond that. Because it wasn’t sharing a router with the computers in my test space, the …

“It doesn’t sound at all like an underpowered portable device. The highs are zingy but not tizzy, the mids are detailed but not overbaked, and bass is decently proportioned. Everything is surprisingly clean and smooth, in stark contrast to the garbag…

“Normally I wouldn’t want King Crimson’s monster math metal playing less than 2 feet from my face. But the live material fromThe Road to Red, ripped from CD in Apple Lossless, became easy listening (in sound if not in genre). Even the psycho violin s…

“Not much has changed in terms of the A2+’s sound signature versus the original speakers. It sounds much like the A2, which means a marked focus on the mids and highs. The speakers deliver plenty of low and low-mid information, and they c…

“However, once I hooked up the A2+’s, I was pleasantly surprised. Carrying the exact same 3/4″ tweeter found on the Audioengine A5+, the A2+ exhibited warm mids along with crisp and clear highs, very similar to what you’ll get with the A5+’s. I…

“Compared to the PSB Alpha B1, the Audioengine lacked some high-frequency detail and delicacy, but offered outstanding bass control, transparency, and drama, said SM. At reasonable volume levels, both indoors and out, the Audioengines provided a wide…

“Connected between the L/R inputs of Kal’s Bryston 9B-SST power amp and the L/R outputs of his Anthem Statement D2 processor, the W3 lacked high-frequency sparkle and midrange detail while sounding “surprisingly okay.” The W3′s sonic compromises were…

“The thing I most noticed on my higher bit-rate and sample-rate test tracks was a more dynamic overall sound. I won’t pretend it was night and day, but listening to lossless Radiohead files on the Sennheiser HD 280 Pro, going back and forth bet…